| |
Come
Back Again... with Chris Spencer
Broderick
Smith - Too Easy (Newmarket)
One older (mature?) musician who has continued to record and perform
around the country is Broderick Smith. Perhaps Brod doesnıt play
to the same crowds as he once did: performing acoustically at folk
festivals more often these days, as well as smaller pub venues.
This is a strong testament to Smith's songwriting and ability to
adapt to changes in musical tastes. One of his earliest and most
fondly remembered bands, Carson, has most of its recorded work re-issued
onto one CD. Other bands in which he has been a central figure include
the Dingoes and his own Big Combo. By my reckoning this is his 8th
solo album, and itıs been over 5 years since his last album 'Crayon
Angels' in 1996. Since Smithıs last album, he has moved to a rural
setting to live, establishing both a working and recording relationship
with his producer, Mick A'Hearne. Sometimes they perform as a duo,
at other times they add musicians as needed or afforded. This album
is miles away from his early work in blues and boogie. The first
half dozen tracks are gentle paced ballads, with no urgency either
in the lyrics or music. In 'I Have No Song' and 'Aria Branca' Brod
uses a high register of his voice that I am unfamiliar with. 'Rainy
Day' uses a rich mixture of instruments such as harmonica and mandolin,
both being used in an understated, mute tone. It's not until track
7, 'Victim's Highway' that the beat picks up into a more recognisable
rhythm with that I have associated with Smith in the past. One thing
about older musicians is that when they record they have the ability
to gather enormous talented players to give them a hand. This CD
is no exception: Michel Rose, Matt Walker, Kevin Bennett (who co-writes
many of the songs on the album), Gerry Hale, Peter Howell, Joe Imbroll
and Nigel McLean on violin assist creating a great sounding album.
Interestingly, Smith has written almost all the lyrics, and his
co-writers have supplied the music. There are a couple of covers
one being a Glenn Danzig - 'Thirteen' which is more upbeat, and
the other by Australians Rodney Freeman-Smith and Phillip Hyde.
This is not the type of album that reaches out and grabs you by
the throat; it's more of a grower and needs several listens to appreciate
the intricacies of the arrangements and nuances of the lyrics. More
of a mood setting album rather than one to bop around the lounge
room with. Perhaps it reflects the changed circumstances in Smith's
life. Exceptions are the bluesy Going 'North', the country-ish 'Writers
on a Train', 'Victim's Highway' and the aforementioned 'Thirteen'.
One of the best songs, Smith has left till last: 'Man to Man' in
which an emotional Smith is accompanied only by an acoustic guitar.
Ironically,
it was announced just the other week that Glen Wheatly and Michael
Gudinski intended to form a new label which would concentrate on
releasing albums of older musicians who were finding it difficult
to find record companies that would release their music. These days
there are very few radio formats which have the flexibility to play
new recordings of older musicians, preferring to play their big
hits from 20 and 30 years ago! Youth orientated play lists are only
keen to promote the next big thing, and few of them are over 20!
To obtain a
copy of this CD, you can either email mahearne@primus.com.au
or type Broderick Smith into your search engine. Failing that pop
into your local record shop!
Previous
columns
August: Three
Aztecs and a Chain - Down The Beaten Track
Chris Spencer
is author of the "Who's Who of Australian Rock'. He can be
contacted through Moonlight
Publishing.
|
|